Everybody Digs Bill Evans Riverside RLP 12-291 1959.Art Farmer - Modern Art United Artists UAL 4007 1958.The Miles Davis Sextet - Jazz At The Plaza Vol.Cannonball Adderley - Jump For Joy EmArcy MG-36146 1959.Newport Jazz Festival 1958-59 FDC (It) 1024 The Miles Davis Sextet, The Thelonious Monk Quartet - Miles & Monk At Newport Columbia CL 2178 1964.Cannonball Adderley - Cannonball And Eight Giants Milestone MSP-47001 1973.Julian Adderley Quintet - Portrait Of Cannonball Original Jazz Classics OJCCD-361-2 1989.Julian Adderley Quintet - Portrait Of Cannonball Riverside RLP 12-269 1958.Miles Davis - Four-Play Jazz Music Yesterday (It) ME 6402 1995.Michel Legrand - Legrand Jazz Columbia CL 1250 1959.Miles Davis - '58 Sessions Featuring Stella By Starlight Legacy CK 47835 1991.Miles Davis & John Coltrane - The Complete Columbia Recordings 1955-1961 Legacy C6K 65833 1999.

Miles Davis - Jazz Track Columbia CL 1268 1959.Miles Davis - Makin' Wax: Original Concert-Performances 1953-1958 Chakra ch100MD 1970s.Miles Davis Live In 1958 Featuring John Coltrane & Bill Evans Jazz Band (E) EB 418 1990.Hal McKusick - Cross Section-Saxes Decca DL 9209 1958.Helen Merrill - The Nearness Of You EmArcy MG-36134 1958.The Mello Sound Of Don Elliott Decca DL 9208.Eddie Costa - Guys And Dolls Like Vibes Coral CRL 57230.Idrees Sulieman, Frank Rehak, Jimmy Cleveland, Pepper Adams, Cecil Payne, Tommy Flanagan, Bill Evans, Doug Watkins, Louis Hayes, Elvin Jones - Roots Prestige PRLP 8202 1958.Tony Scott - My Kind Of Jazz Perfect PL 12010.Tony Scott, Jimmy Knepper - Free Blown Jazz Carlton STLP 12/113 1959.Tony Scott - The Modern Art Of Jazz Vol.Sahib Shihab All-Star Sextets Savoy SJL 2245 1980.Sahib Shihab - Jazz Sahib Savoy MG-12124 1958.A Swinging Introduction To Jimmy Knepper Bethlehem BCP-77 1957.East Coasting By Charlie Mingus Bethlehem 20-30022 1993.East Coasting By Charlie Mingus Bethlehem BCP-6019 1957.Eddie Costa With Rolf Kuhn & Dick Johnson, Mat Mathews & Don Elliott At Newport Verve MGV-8237 1957.

Joe Puma Quartet And Trio Jubilee JLP 1070.Orchestra Conducted By Gunther Schuller And George Russell - Modern Jazz Concert Columbia WL 127 1958.Bill Evans, Don Elliott - Tenderly - An Informal Session Milestone MCD-9317-2 2001.Richie 'Dick' Garcia - A Message From Garcia Dawn DLP 1106 1956.The Complete Tony Scott RCA Victor LPM-1452.Bill Evans - Conception Milestone M-47063 1981.Bill Evans - New Jazz Conceptions Riverside RLP 12-223 1957.The Touch Of Tony Scott RCA Victor LPM-1353 1956.The George Russell Smalltet - Jazz Workshop RCA Bluebird 6467-2-RB 1987.George Russell - The Jazz Workshop RCA Victor LPM-1372 1957.Jerry Wald - Frenchman's Creek / Mesa Verde Kapp K-212X 1955.Jerry Wald - Valley Of The Redwoods / Dancing Castinets Kapp K-173X 1956.Jerry Wald And His Orchestra - Listen To The Music Of Jerry Wald Kapp KL-1043 1956.

Lucy Reed - The Singing Reed Original Jazz Classics OJCCD-1777-2 1991.

Lucy Reed - The Singing Reed Fantasy LP 3-212 1956.

Jerry Wald And His Orchestra - Designed For Dancing Lion E-70014 1954.

A closely related technique of voicing chords using only fourth intervals is explored as well, synthesizing both techniques into a unifed method for two-handed chord voicings. In this course, the 'So What' voicings are derived from a transcription of Bill Evans' comping the changes to their namesake tune and their use is applied to traditional tonal progressions. 'So What' voicings confer a modern sound and are a versatile two-handed voicing technique that can be used equally as well for comping or solo playing. It's influence extends literally down to the piano voicings that Bill Evans played on one of the most popular tunes on the recording and in all of the jazz repertoire, 'So What.' Known as 'So What' voicings, the notes of these two-handed chords are arranged with a major third above a stack of perfect fourth intervals. The music on Miles Davis' 'Kind of Blue' was influential on many levels: it ushered in the style of modality, it introduced a new voice to jazz piano, Bill Evans, it established several new standard tunes to the repertoire and went on to become the best selling jazz album of all time.

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